Cave Aesthetics Series

 

Using a working method I call the “drawing network,” each work is both independent and interconnected, forming a network of space, time, and psyche.

 

From natural grottoes and prehistoric murals to basements, corridors, lockdown rooms, modern bunkers, and data centers, the cave represents a typical negative space. In a broader sense, cave aesthetics may also encompass any secluded space or isolated psychological condition—a confined space surrounded by darkness and the blankness of uncertainty. A cave may serve as a shelter for survival or as a prison, a cozy comfort zone or an information cocoon.